Publications
Journal Publications and Book Chapters
J. Freeman. "Collaborative Creation, Live Performance, and Flock." Leonardo Music Journal Vol. 18, 2008 (in press).
J. Freeman. "Extreme Sight-Reading, Mediated Expression, and Audience Participation: Real-Time Music Notation in Live Performance." Computer Music Journal Vol. 32, No. 3, 2008.
J. Freeman. “Glimmer: Creating New Connections.” In Transdisciplinary Digital Art: Sound, Vision and the New Screen, ed. R. Adams, S. Gibson, and S. Arisona. Communications in Computer and Communication Science, Springer, 2008.
J. Freeman. “Graph Theory: Linking Online Musical Exploration to Concert Hall Performance.” Leonardo Vol. 41, No. 1, 2008.
J. Freeman. "Glimmer: Lights, Orchestral Performance, and Audience Participation." Leonardo Electronic Almanac Col. 15 Nos. 11-12, 2007.
J. Freeman. “Fast Generation of Audio Signatures to Describe iTunes Libraries.” Journal of New Music Research, Vol. 35, No. 1, 2006.
J. Freeman, C. Ramakrishnan, K. Varnik, M. Neuhaus, P. Burk, D. Birchfield. “Auracle: A Voice-Controlled Networked Sound Instrument.” Organised Sound, Vol. 10, No. 3, 2005.
J. Freeman. “Orchestra Tech National Conference (review).” Computer Music Journal, 26/2, Summer 2002.
Conference Proceedings
J. Freeman. "Technology, Real-time Notation, and Audience Participation in Flock." Proceedings of the International Computer Music Conference (Belfast), 2008.
J. Freeman. “Graph Theory: Linking Online Musical Creativity to Concert Hall Performance.” Proceedings of the 6th ACM Creativity and Cognition Conference (Washington, DC), 2007.
J. Freeman. “Graph Theory: Interfacing Audiences Into the Composition Process.” Proceedings of the New Interfaces for Musical Expression Conference (New York), 2007.
J. Freeman and M. Cerar. “Graph Theory and the Virtual Composer Residency Project.” Proceedings of the Spark Festival of Electronic Music and Art (Minneapolis), 2007.
G. Weinberg, J. Freeman, P. Chordia, F. Clark, C. Moore, S. Driscoll, T. Thatcher. “Georgia Tech Music Technology Group — Studio Report.” Proceedings of the International Computer Music Conference (New Orleans), 2006.
T. Thatcher, D. Jimison, J. Goetzinger, J. Freeman, G. Weinberg. “Mobile Networked Music Demonstration: Sequencer404.” Proceedings of the International Computer Music Conference (New Orleans), 2006.
J. Freeman. "Glimmer: Creating New Connections." Digital Art Weeks (Zurich), 2006.
J. Freeman, C. Ramakrishnan, K. Varnik, M. Neuhaus, P. Burk, D. Birchfield. “The Architecture of Auracle: A Voice-Controlled Networked Sound Instrument.” Proceedings of the International Computer Music Conference (Barcelona), 2005.
J. Freeman. “Large Audience Participation, Technology, and Orchestral Performance.” Proceedings of the International Computer Music Conference (Barcelona), 2005.
J. Freeman, C. Ramakrishnan, K. Varnik, M. Neuhaus, P. Burk, and D. Birchfield. “Adaptive High-level Classification of Vocal Gestures Within a Networked Sound Instrument.” Proceedings of the International Computer Music Conference (Miami), 2004.
J. Freeman. “N.A.G. (Network Auralization for Gnutella).” In Proceedings of ACM Multimedia (New York), 2004.
K. Varnik, J. Freeman, C. Ramakrishnan, P. Burk, M. Neuhaus, D. Birchfield. “Tools Used While Developing Auracle: A Voice-Controlled Networked Instrument.” In Proceedings of ACM Multimedia (New York), 2004.
C. Ramakrishnan, J. Freeman, K. Varnik, D. Birchfield, P. Burk, and M. Neuhaus. “The Architecture of Auracle: A Real-Time, Distributed, Collaborative Instrument.” Proceedings of the International Conference on New Interfaces for Musical Expression (Hamamatsu), 2004.
J. Freeman. “MetaMix: A Symbiosis of Familiar Content With Generative Form.” Proceedings of the 6th International Conference on Generative Art (Milan), 2003.
Other Publications
J. Freeman. "What I Listen To." The Art Section Vol. 2, No. 4, 2008.
J. Freeman. “Composer, Performer, Listener.” In Komponieren in der Gegenwart: Texte der 42. Internationalen Ferienkurse für Neue Musik 2004.ed. Jörn Peter Hiekel. Saarbrücken, Germany: Pfau Verlag, 2006.
J. Freeman. Glimmer, for chamber orchestra and audience. Doctoral dissertation, Columbia University, 2005.
J. Freeman. “ Swooping the Orchestra…” In ACOAdvance, Vol. XI, American Composers Orchestra, 2005.
J. Freeman. “On Prior Art.” Jahrbuch 7 — Akademie Schloss Solitude. Ed. S. Pantaleev and S. Burow, Merz & Solitude, 2004.
J. Freeman. “N.A.G. (Network Auralization for Gnutella): In Search of a New Way To Listen.” The HTV (Amsterdam), September 2003.
J. Freeman. "MetaMix: Between Unity and Collaboration." Self-published, 2002.
Acknowledgements in Books
Rohrhuber, J. “Network Music,” in N. Collins & J. Escrivan (Eds.), The Cambridge Companion to Electronic Music. Cambridge: Cambridge University Press, 2007.
Blais, J. and J. Ippolito. At the Edge of Art. New York: Thames and Hudson, 2005.
Goldstrasz, T. “Suchmaschinen.” In Digitale Transformationen, ed. Monika Fleischmann and Ulrike Reinhard. Berlin: Whois, 2004.
Acknowledgements in Journals
Schwarz, D. “Concatenative Sound Synthesis: The Early Years,” in Journal of New Music Research, 35:1 (2006): 3-22.
Traub, P. “Sounding the Net: Recent Sonic Works for the Internet and Computer Networks.” Contemporary Music Review, 24/6 (December 2005): 459-481.
Thorington, H. “Breaking Out: The Trip Back.” Contemporary Music Review, 24/6 (December 2005): 445-458.
Acknowledgements in the Press
Harkins, A. "Arts Presenters: Jason Freeman" KadmusArts, August 4, 2008.
McClinktok, D. "Breaking New Ground: Intersections at the Frontier of Art and Technology." Art Papers, July / August 2008.
Cullum, J. "Outside the Lines: Use of Technology Expands Possibilities; Art on the Edge in Atlanta." Atlanta Journal-Constitution, June 12, 2008.
Pizarro, S. "Something Fun for the Fam Downtown Today at 01SJ." San Jose Mercury News, June 7, 2008.
Fox, C. "Spruill Director's Debut Meshes Art, Technology." Atlanta Journal-Constitution, May 23, 2008.
Erickson, J. "Editor's Note: Flou'ing the Coop, Or Music Meets Science." Dr. Dobb's Report, April 21, 2008.
Ruhe, P. "Sonic Generator Explores the Artists' Struggle." Atlanta Journal-Constitution, April 4, 2008.
"Technology Rocks." Georgia Tech Buzzwords, February, 2008.
Olson, M. “Flock and Flou.” Net Art News, February 11, 2008.
Paulk, J. “Sonic Generator’s Electric Balm.” Atlanta Journal-Constitution, February 13, 2008.
Gresko, J. “Spectators in glowing hats conduct music.” Associated Press, January 10, 2008. This story ran in over thirty news outlets, including the Miami Herald, the Boston Globe, and the San Francisco Chronicle.
Paulk, J. “Technology takes sound places you want to go [Sonic Generator].” Atlanta Journal-Constitution, November 14, 2007.
Thomas, C. “The Music of Technology.” Society of Women Engineers Magazine, Vol. 53, No. 5 (22-31), 2007.
Freire, J. “Somos Música: Jason Freeman experimenta con las notas interactivas.” El Periódico de Catalunya (Barcelona), May 17, 2007.
Ruhe, P. "If You Failed Your American Idol Audition..." Atlanta Journal-Constitution, May 17, 2007.
Borland, J. "New Musical Work Treats Audience Like Notes in a Score." Wired News, May 3, 2007.
Chang, D. “New season promises a world of offerings.” The Miami Herald, April 16, 2007.
Ruhe, P. “Sonic Generator’s High-Tech Brilliance.” Atlanta Journal-Constitution, March 27, 2007.
Thorington, H. “Interview: Jason Freeman.” Networked
Music Review (research weblog), March 11, 2007.
Ruhe, P. “Composers scene thrives in Atlanta.” Atlanta
Journal-Constitution, February 16, 2007.
Ruhe, P. “Group’s Music Defies Bounds [Sonic Generator].” Atlanta Journal-Constitution, January 30, 2007.
Ruhe, P. “Sonic Generator Makes Its Debut.” Atlanta Journal-Constitution, November 15, 2006.
Nouraee, A. “A King, A Judge, A Robot, And Lots of Dorks [Dorkbot Atlanta Lecture Series].” Creative Loafing. January 19, 2006.
Jones, A. “Tech Prof Has Your Music in Mind.” Atlanta Journal-Constitution, December 27, 2005.
Wolf, M. “iTunes Autograph.” Net Art News, December 12, 2005.
Ryssdal, K. “A final note…[iTunes Signature Maker].” Marketplace, American Public Media, December 7, 2005.
Tasker, F. “Off-the-wall shows waiting in the wings [Miami Performing Arts Center commissions].” Miami Herald, September 30, 2005.
Heissenbuettel, D. “Solo aus dem off [review of Prior Art].” Stuttgarter Zeitung, September 29, 2005.
Chan, D. “Jason Freeman’s Othello Princple.” New York Arts Magazine, Vol. 10, Nos. 5/6, May-June 2005.
Tommasini, A. “With Lights in Hand, Audience Becomes the Conductor.” The New York Times, January 22, 2005.
Carpenter, T. “All Mixed Up.” Billboard Online, July 22, 2003.
Siegel, R. “Music Sharing on the Web (interview).” All Things Considered (National Public Radio), July 21, 2003.
MacBlane, A. “Columbia Student Mines Peer-to-Peer Networks…For Art’s Sake.” New Music Box (The American Music Center), July 17, 2003.
Mirapaul, M. “How to Make a Sonic Purée from Pop Snippets.” The New York Times, July 8, 2003.
Siegel, R. “Phones and Music” (interview). All Things Considered (National Public Radio), June 25, 2001.
Mirapaul, M. “Coaxing On-Hold Melodies (Your Own) From a Phone.” The New York Times, June 25, 2001.
Tommasini, A. “Music, Minus Those Pesky Composers.” The New York Times, August 6, 2000.
Mirapaul, M. “At Columbia, Music Videos for Electronic Compositions.” The New York Times Online, July 13, 2000.