|
Selected Works: |
|
 |
Year |
Title |
Instrumentation |
|
2007
|
How
Long (excerpt from in-progress opera, Calling) |
soprano,
alto, cello, and electroacoustic music |
|
|
Mere
Seer Jog |
electroacoustic
music |
|
2006
|
Laugh Perfumes
|
concerto
for violin and orchestra (3,3,3,3;4,3,3,1; 2 perc; timp; strings. Chamber version in-progress) |
|
|
Outlier
|
chamber
orchestra (1,1,1,1; 1,1; piano, 1 perc;
2, 1, 1, 1) |
|
2005
|
Obsessive
Currents |
violin
+ computer (live electroacoustic
music) |
|
|
Twisted
Pairings:
Wired
at Tip |
mixed
ensemble + electroacoustic music |
|
|
Shadow
|
violin
+ computer (live electroacoustic
music) |
|
|
Syndrome
Gear |
electroacoustic
music |
|
|
Lunar
Crescent |
any
instrument + computer (live electroacoustic
music) |
|
2004
|
Tremor Transducer *
|
Flute,
piano, percussion, violin, cello, and live
electroacoustic music |
|
|
How
I Learned to Draw a Sheep |
Voices,
electroacoustics, and piano |
|
2003
|
Memory
Dust * |
Big
Band and live electroacoustic music |
|
|
Exit
to City |
berimbau
and live electroacoustic music |
|
|
Jugular
Juices |
guitar,
spoken word, computer |
|
|
Twisted
Pair |
eight-channel
fixed media computer music |
|
2002
|
Gilgamesh
|
violin,
computer, multimedia |
|
|
Hannelore |
guitar,
computer, synthesizer, percussion |
|
|
Shambat |
amplified
violin with DSP |
|
|
Uruk |
violin
and computer |
|
2001
|
Ghost
Sonata |
violin,
piano, voice, electronics |
|
|
Electroacoustic
Video Suite/ Three Impressions |
computer
music with video |
|
|
Atomic
Tango * |
electroacoustic
music |
|
|
Qunu |
Music
for SATB choir |
|
|
Enkidu
|
Music
for violin with realtime interactive
processing |
|
2000
|
Demons
* |
Computer
music, based on a poetry reading by
Guillermo
Castro |
|
|
Bride
of Kong |
Music
for voices, piano, percussion, and
electronics |
|
|
Appliance
|
performance
installation work for violin,
mechanized
sculptures, and interactive computer music |
|
|
Glass
Wall Suite |
Dance
suite for amplified chamber ensemble and
electronics |
|
1999
|
Turnstile * |
violin
and electronics |
|
|
Ten
Or So |
shakuhachi
and 4-channel electronics with video |
|
|
Invisible Arms |
violin,
electric bass, two percussion, and eight
channel electronics (six channels independently mobile), with video and
dance |
|
|
For Rosa |
solo
piano |
|
|
Miscellaneous by Weight
|
multitrack
computer music for semi-improvisatory
performance with live mixed video |
|
1998
|
Reality House *
|
violin,
viola, cello, contrabass, flute,
clarinet, and
trombone |
|
|
Echo Impressions
|
computer
music |
|
|
Hole in Pocket |
computer
music |
|
|
Carol's Cliff *
|
two
percussion, piano, and live mixed electronics |
|
|
Freeway Dreams |
computer
music with optional slide projections |
|
1997
|
Ripples
* |
computer
music with optional video |
|
|
Theme from "The End of Something"
|
computer
music for film |
|
|
Suite from "The End of Something"
|
computer
music for film |
|
1996
|
Soft and Sky Melting
* |
computer
music with optional video |
|
|
Sugar Cookie |
computer
music |
|
|
Blue Haikus |
flute,
clarinet, trumpet, cello, and percussion |
|
|
Amid Mirrors |
computer
music |
|
1995
|
Ken's Mistake |
computer
music |
|
|
Breath, Tongue, Fingertips
|
solo
flute |
|
|
BobTalk |
computer
music |
|
|
Play of Lights |
computer
music |
|
1994
|
Little Sleep's-Head Sprouting
Hair in the Moonlight |
songs
for baritone, guitar, and mixed electronics |