Daniel Iglesia (b. 1981) writes for humans, computers, and broad interactions of the two. He is especially interested in live manipulations of sound, with notions of automation and algorithmic composition, the magnification of inherent chaos in sounds, real-time performance with traditional instruments. Since working in New York, he has expanded his interests to the interaction of sound and video, creating both live performance systems and generative pieces which subsume the role of the creator. His work has been presented throughout New York City in such diverse venues as Lincoln Center, Eyebeam Gallery, The Stone, Ontological-Hysteric Theatre, Merce Cunningham Studio, Roulette, the Public Theater, the Delancey, the Knitting Factory, and international festivals in the U.S., France, and Spain. He is currently a teaching fellow at the Columbia University Computer Music Center.email me: daniel.iglesia (AT) gmail.com