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number 91/Spring 2011
Edited by Daphne Carr

ARTICLES

  LAUREN NINOSHVILI
       The 1990s "Kutaisi Wave": Music and Youth Movement in a Postindustrial Periphery

  ADRIANA HELBIG
       "On stage, everyone loves a Black": Afro-Ukrainian Folk Fusion, Migration, and Racial Identity in Ukraine

   MICHAL NANORU
       Here Be Dogs: Documenting the visual culture of the Czech indie scene

  IAN MACMILLEN
       From the Center in the Middle: Working Tambura Bands and the Construction of the In-Between in Croatia and its Intimates

 

 

 

 

 

 


       




BOOK REVIEWS

  KATE HEIDEMANN
      Pamela Fox. Natural Acts: Gender, Race, and Rusticity in Country Music

 SAYO YAMAGATA
      Laurie Stas, ed. She's So Fine: Reflections on Whitness, Femininity, Adolescence, and Class in 1960s Music

  JULIET FORESHAW
      Review Essay: "Metal in Three Modes of Enmity: Political, Musical, Cosmic." Gerd Bayer, ed. Heavy Metal in Britian; Steve Waksman. This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk; Nicola Masciandaro, ed. Hideous Gnosis: Black Metal Theory Symposium 1.

  SIMON CALLE
      Deborah Pacini-Hernandez. Oye Como Va! Hybridity and Identity in Latino Popular Music.


  WHITNEY SLATEN
      Review Essay: "Representing Recording Studios of the Past." Andy Bradley and Roger Wood. House of Hits: The Story of Houston's Gold Star/Sugarhill Recording Studios; John Hartley Fox. King of the Queen City: The Story of King Records; Roben Jones. Memphis Boys: The Story of American Studios.

DAVID GUTKIN
      David Janssen and Edward Whitelock. Apocalypse Jukebox: The End of the the World in American Popular Music.

HEATHER PINSON
      
Bethany Klein. As Heard on TV: Popular Music in Advertising.

BRADLEY SROKA
      Chris McDonald. Rush, Music, and Middleclass: Dreaming in Middletown.