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number 90/fall 2010
Edited by Daphne Carr

ARTICLES

 Elizabeth de Martelly
      Signification, Objectification,and the Mimetic Uncanny in Claude Debussy’s “Golliwog’s Cakewalk”

SARAH DOUGHER
     Sex and Laughter in Women’s Music, 1970-77

ELIZABETH HOOVER
     Variations V: "Escaping Stagnation" Through Movement of Signification

     


       




BOOK REVIEWS

ELIZABETH KEENAN
Tara Rodgers. Pink Noises: Women on Electronic Music and Sound    

GAVIN MUELLER
Alejandro L. Madrid. Nor-tec Rifa!: Electronic Dance Music from Tijuana to the World    


WAYNE MARSHALL
Dave Tompkins. How to Wreck a Nice Beach:
The Vocoder from World War II to Hip-Hop, The Machine Speaks; 
and Steve Goodman. Sonic Warfare: Sound, Affect,
and the Ecology of Fear 


MARILOU POLYMEROPOULOU
Nick Collins, ed. and Julio d’Escriván. Cambridge Companion to Electronic Music; and Joanna Demers. Listening through the Noise: The Aesthetics of Experimental Electronic Music          

LUKE FISHBECK
Brandon LaBelle. Acoustic Territories: Sound Culture and Everyday Life       

GEETA DAYAL
Karin Bijsterveld and J. van Dijck, eds. Sound Souvenirs:
Audio Technologies, Memory and Cultural Practices