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ARTICLES
Judit Frigyesi
In Search of Meaning in
Context: Bartók's Duke
Bluebeard's Castle
Melvin L. Butler
Musical Style and Experience
in a Brooklyn Pentecostal
Church: An "Insider's" Perspective
John Gingerich
"To how many shameful deeds
must you lend your image":
Schubert's Pattern of Telescoping
and Excision in the Texts of His Latin
Masses
Hans Tischler
Newly-Discovered Addenda
to the Trouvère Repertoire
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REVIEWS
Ethan Haimo
Bryan R. Simms. The Atonal
Music of Arnold Schoenberg, 19081923
Barbara Russano Hanning
Thomas R. Heck. Picturing
Performance: The Iconography of the Performing
Arts in Concept and Practice
Timothy D. Taylor
Derek B. Scott, ed. Music,
Culture and Society: A Reader
Stephen Walsh
Jonathan Cross. Harrison
Birtwistle: Man, Mind, Music
Robert Adlington. The
Music of Harrison Birtwistle
John Ito
Eric Chafe. Analyzing
Bach Cantatas
Ron Emoff
Thomas Turino. Nationalists,
Cosmopolitans, and Popular Music in
Zimbabwe
David Schiff
Wayne Schneider, ed. The
Gershwin Style: New Looks at the Music
of George Gershwin
Katherine McQuiston
James Buhler, Caryl Flinn
and David Neumeyer, eds. Music and Cinema
Aaron A. Fox
Georgina Born and David
Hesmondhalgh, eds. Western Music and
Its Others: Difference, Representation, and Appropriation in Music
Elliott S. Hurwitt
Carol Oja. Making Music
Modern: New York in the 1920s
COLUMBIA REPORT
Jack Beeson
Opera at Columbia University,
1941-1958 |