Current Musicology

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	previous \| next number 9/fall 1969 Edited by Neal Saslaw

	REPORTS From the Domestic Corresponding Editors: Events on 14 American Campuses Bea Griedland New York: Ph.D. Program in Musicology at CUNY From the Foreign Corresponding Editors: John M. Jennings New Zealand: Music in the Universities Frederick Rimmer Glasgow: Scottish Music Archive Announcements Letters ARTICLES 18th-century Studies In Honor of Paul Henry Lang Forward Gerald Abraham 18th-century Music and the Problems of its History Friedrich Blume Musicology in German Universities Kenneth Cooper Il teatro alla moda, or A Safe and Easy Method of Producing Baroque Operas According to Modern Practice Winton Dean Handel and Keiser: Further Borrowings Vincent Duckles Throughts on Writing a Comprehensive History of 18th century Music Otis Fellows Paul Henry Lang: an Enlightened Critic of the French Enlightenment Donald Jay Grout Some Desiderata and Goals for the Study of 18th-century italian Opera Daniel Heartz Approaching a History of 18th-century Music Egon Kenton The Music of the 18th Century: a Retrospective View Jens Peter Larson A Challenge to Musicology: the Viennese Classical School Jan LaRue The Mapping of Musical Classicism, a Little-known and Dangerous Period		Maria Rika Maniates Sonate, que me veux-tu?: the Enigma of French Musical Aesthetics in the 18th Century Alfred Mann Artist and Teacher William J. Mitchell Guiseppe Sarti and Mozart's Quartet, K. 421 Leonard G. Ratner Approaches to Musical Historiography of the 18th Century Alexander L. Ringer Mozart and the Josephian Era: Some Socio-Economic Notes on Musical Change Denis Stevens Utrecht: Class of '52 J. A. Westrup Aspects of the 18th Century Walter Wiora Zur Stellung Bachs im Weltbild der Goethezeit Bach's Place in the World-view of the Goethe Era Neal Zaslaw Handel and Leclair DISSERTATIONS Theodore Karp Finn Mathiassen The Style of the Early Motet Chester Fanning Smith Leon Crickmore C.P.E. Bach: Six harpsichord Concertos Jane R. Stevens The Keyboard Concertos of C.P.E. Bach Mark DeVoto Laurence David Berman The Evolution of Tonal Thinking on the Works of Claude Debussy J. E. Maddrell Ernest H. Sanders Medieval English Polyphony and its Significance for the Continent Ernest H. Sanders Reply to J. E. Maddrell BIBLIOGRAPHICA David Sommerfield A Monterverdi Discography Publications Received Contributors