Columbia Welcomes Professor Mariusz Kozak!

 

The Department of Music is delighted to welcome Mariusz Kozak to our faculty in Music Theory.  Prof. Kozak will join Columbia University as an Assistant Professor of Music in July, 2013.  He is currently a post-doctoral scholar and visiting assistant professor of music theory at the Indiana University Jacobs School of Music.

 

 
His research focuses on the emergence of musical meaning in contemporary art music, the development and cognitive bases of musical experience, and the phenomenology of bodily interactions in musical behavior. In his work, he attempts to bridge experimental approaches from embodied cognition with phenomenology and music analysis, in particular using motion-capture technology to study the movements of performers and listeners. His current project examines how listeners' understanding and experience of musical time are shaped by bodily actions and gestures.
 
As a violinist, Kozak has performed with the Rochester Philharmonic, the New Mexico Symphony Orchestra, the Santa Fe Opera, and the Santa Fe Symphony. After a stint with a Chicago-based country band, he continues to fiddle around in his spare time.
 

Kozak, Mariusz

Full Name: 
Mariusz Kozak
Position/Title: 
Assistant Professor
Office Address: 
621 Dodge Hall (Music Department Office)

Mariusz Kozak  will join Columbia University as an Assistant Professor of Music in July, 2013.  He is currently a post-doctoral scholar and visiting assistant professor of music theory at the Indiana University Jacobs School of Music.

 
His research focuses on the emergence of musical meaning in contemporary art music, the development and cognitive bases of musical experience, and the phenomenology of bodily interactions in musical behavior. In his work, he attempts to bridge experimental approaches from embodied cognition with phenomenology and music analysis, in particular using motion-capture technology to study the movements of performers and listeners. His current project examines how listeners' understanding and experience of musical time are shaped by bodily actions and gestures.
 
As a violinist, Kozak has performed with the Rochester Philharmonic, the New Mexico Symphony Orchestra, the Santa Fe Opera, and the Santa Fe Symphony. After a stint with a Chicago-based country band, he continues to fiddle around in his spare time.
 

Announcing a New MFA Program in Sound Arts at Columbia!

New Program Announcement!

SOUND ARTS

A new Interdepartmental MFA Program offered by the Columbia University School of the Arts in association with the Department of Music and the Computer Music Center.

Applications for Fall 2013 Now Being Accepted (Deadline Feb. 20, 2013)
 
Columbia University has been at the helm of sound-technology innovation for over fifty years with faculty specializing in composition, improvisation, sound installation, computer music, digital sound synthesis, acoustics, music cognition and software development.  Columbia’s Computer Music Center in the Department of Music has a long history of creative excellence; its primary mission is to operate at the intersection of musical expression and technological development. The Center has state-of-the-art facilities for working in electro-acoustic music.  Faculty of the Center for Computer Music led the development of the new interdisciplinary area in Sound Arts that leads to the Master of Fine Arts degree awarded by the School of the Arts.
 
The Sound Arts area is currently accepting applications for Fall 2013. The program is highly selective. Each year only three to four students will be offered admission to the two-year program. Prospective students with a deep engagement with sound as medium, a familiarity with contemporary audio tools and techniques, and a demonstrated use of those tools in different contexts (sculptural or video installations, creation of performance interfaces, circuit-bending productions, innovative fusion of digital audio with digital graphics, imaginative use of network technologies) are encouraged to apply. While the Visual Arts Program in the School of the Arts currently accommodates students working in digital media, sculpture, installation, performance, film and video art, applicants who wish to base their research and studio practice primarily in the area of sonic or sound arts are to apply to the area of Sound Arts. 

Spring 2013 Featured Courses in Music

Featured courses in Music for Spring 2013!

(Click on the image to open full-sized poster.)

Spring 2013 Featured Courses in Music - Poster

NEW SEMINAR: Debussy and Modernism (MUSI G8371)

Course Information

Course Title: 
Debussy and Modernism
CU Directory Course Number: 
MUSI G8371
Instructor: 
Prof. Benjamin Steege

 

MUSI G8371 (New Seminar for Spring 2013)

Debussy and Modernism
Instructor: Prof. Benjamin Steege (bio
Call #: 26449, 3 pts

Mondays 10:10am-12:00pm, 620 Dodge

This course engages close analytical study of selected works by Claude Debussy in conjunction with re- flections on modernism and modernity from literary- and critical – theoretical perspectives. A primary goal is to develop interpretive approaches that take rigorous account of how Debussy might be understood as “modernist” in the first place, and what “modernism” might mean in this context – questions that have been surprisingly little addressed in extant literature on the composer. Readings include work of Charles Baude- laire, Walter Benjamin, Hugo Friedrich, Paul de Man, Michel Foucault, Matei Calinescu, Barbara Johnson, T. J. Clark, and Jonathan Crary. Presentation and paper.

Professor Peter M. Susser in China

Peter M. Susser, Director of Undergraduate Musicianship, attended The Xi'an Conservatory of Music Ear Training Conference and Sight Singing Competition as a lecturer and judge from November 5-9, 2012. Susser also taught Master classes in improvisation and sight singing for actors at The Beijing Dance Academy.

Next to Susser is Prof. Wang Gaofei, Director of the Soffeggio Department.

Search Announcement: Assistant Professor (Music Theory)

The Department of Music at Columbia University seeks to hire an Assistant Professor with a specialization in Music Theory. The responsibilities of the position include undergraduate and graduate teaching, research and publication, and departmental service. We especially seek candidates whose research extends interdisciplinary connections between Music Theory and Historical Musicology, Ethnomusicology, or Composition. The doctorate must be awarded by July 1, 2013, the start of appointment.

All applications must be made through Columbia University's RAPS system.

Please click here to access the RAPS application system and a complete description of the position and the application requirements.

Review of applications begins December 1, 2012, and will continue until the position is filled. 

Columbia University is an Equal Opportunity/Affirmative Action employer.

 

 

Search Announcement: Mellon Postdoctoral Fellowships

The Columbia University Department of Music invites applications for two Mellon Postdoctoral Teaching Fellowships for a period of two years, to begin July 1, 2013. Ph.D. or equivalent (e.g., DMA for composers) required. The degree must have been awarded between 1 January 2009 and 1 July 2013. Fellows will be expected to pursue research, participate in the academic life of the Department of Music, and teach one class per semester during each of the two years (three in Columbia's Core Curriculum and one in the candidate's area of specialization).

All applications must be made through Columbia University's RAPS system.

Please click here to access the RAPS application system and a complete description of the position and the application requirements.

 

Review of applications begins November 5, 2012, and will continue until both positions are filled. 

Columbia University is an Equal Opportunity/Affirmative Action employer.

Graduate Program Handbook (Official Policies of our MA/PhD and MA/DMA programs)

Dodge HallThe Handbook of Graduate Study in Music at Columbia University.

The "Handbook" is the official policy document of the Department of Music's MA/PhD and MA/DMA programs.  Current graduate students in the Department are expected to be familiar with its contents and to consult it for answers to many policy questions that arise on a regular basis. To browse the Handbook, please use the block of links on the right side of this page (and every other page in the Handbook), or use the same links below:

Important Information for 2012 PhD or DMA Applicants

Are you considering applying to one of our graduate (PhD or DMA) programs this fall (2012 application for 2013 matriculation)?  Here are some important informational links and points of advice for the 2012 application cycle to guide your application process. We highly recommend that you review this 2012-specific information before you apply, and before you make personal contact with Department faculty members!

Also see our page of general information for applicants.