Events - Filter:
02 / 29
Start: 4:00 pm
End: 6:00 pm
Ruth A. Solie, Smith College Columbia's Music Colloquia are free and open to the public.
If you have an questions about colloquia, please contact Daniel Callahan at dmc2127@columbia.edu.
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03 / 1
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03 / 2
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03 / 3
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03 / 4
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03 / 5
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03 / 6
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03 / 7
Start: 9:00 am
Start: Mar 7 2008 - 9:00am
End: Mar 8 2008 - 8:00pm
The fifth annual Columbia Music Scholarship Conference will take place on March 7-8, 2008. The theme of this year's conference is POP! Musical Excess and Artifice. For the first time, Columbia's conference will be held in conjunction with CUNY's annual Graduate Students in Music conference. Keynote Speakers: Philip Auslander (Georgia Institute of Technology) Nadine Hubbs (University of Michigan) All events are free and open to the public. | ||
03 / 8
End: 8:00 pm
Start: Mar 7 2008 - 9:00am
End: Mar 8 2008 - 8:00pm
The fifth annual Columbia Music Scholarship Conference will take place on March 7-8, 2008. The theme of this year's conference is POP! Musical Excess and Artifice. For the first time, Columbia's conference will be held in conjunction with CUNY's annual Graduate Students in Music conference. Keynote Speakers: Philip Auslander (Georgia Institute of Technology) Nadine Hubbs (University of Michigan) All events are free and open to the public. | ||
03 / 9
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03 / 10
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03 / 11
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03 / 12
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03 / 13
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03 / 14
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03 / 15
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03 / 16
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03 / 17
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03 / 18
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03 / 19
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03 / 20
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03 / 21
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03 / 22
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03 / 23
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03 / 24
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03 / 25
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03 / 26
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03 / 27
Start: 4:00 pm
End: 6:00 pm
Kay Kaufman Shelemay is the G. Gordon Watts Professor of Music at Harvard University. She is the author of Music, Ritual, and Falasha History
(1986), which won both the ASCAP-Deems Taylor Award in 1987 and the Prize of
the International Musicological Society in 1988. Other major publications include A Song of Longing: An Ethiopian Journey (1991);Ethiopian Christian Chant: An Anthology (1993-97), co-authored with Peter Jeffery; and Let Jasmine Rain Down: Song and Remembrance Among Syrian Jews (University of Chicago Press, 1998).
All Ethnomusicology Colloquia are free and open to the public. | ||
03 / 28
Start: 4:15 pm
A Historical Musicology Colloquium featuring Geoffrey Burgess (Columbia University) and Sean Parrresponding. All HM Colloquia are free and open to the public. | ||
03 / 29
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03 / 30
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03 / 31
Start: 12:00 pm
End: 1:00 pm
Woodwind instruments are made from Mpingo Wood, also known as African Blackwood and grenadilla. Oboes, clarinets, bagpipes, flutes, piccolos, and fingerboards for stringed instruments including guitars, are made of Mpingo. So are the highly prized sculptures made by the Makonde people. Mpingo grows in Tanzania and Mozambique, and worldwide, individuals and organizations work to conserve and preserve it. Over the past several years, Brenda Schuman-Post has taken on the task of bringing awareness to those involved in Western Classical Music of the impact that their culture is having on other peoples. As an oboist, she herself depends on the availability of Mpingo. This timber has been culled from areas in Southern Africa over the past two centuries, and its progressive depletion has created increased impoverishment among the indigenous peoples of the area. | ||
04 / 1
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04 / 2
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04 / 3
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04 / 4
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04 / 5
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04 / 6
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04 / 7
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04 / 8
Start: 4:00 pm
Sarah Weiss studied at the University of Rochester/Eastman Conservatory and New York University, receiving her PhD from NYU in musicology in 1998. She has taught at the University of Sydney, Australia, the University of North Carolina at Chapel Hill, and Harvard University. She joined the faculty of the Department of Music at Yale in 2005. Primarily conducting research amongst performers in Central Java and Sulawesi, Indonesia, her geographical interests also include performance fromaround Asia. | ||
04 / 9
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04 / 10
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04 / 11
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04 / 12
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04 / 13
Collegium Musicum Lecture-Recital : “Caroline Carvalho and Mid Nineteenth-Century French Coloratura"
Start: 4:00 pm
End: 6:00 pm
“Caroline Carvalho and Mid Nineteenth-Century French Coloratura,” lecture by Sean Parr, featuring sopranos Susanne Knittel, Jessica Gould, Melissa Raz, and Brittany Palmer.
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04 / 14
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04 / 15
Start: 4:00 pm
End: 6:00 pm
The Center for Ethonmusicology at Columbia University is excited to host Sima Arom, Director Emeritus of Research at the Centre National de la Recherche Scientifique. All Ethnomusicology Colloquia are free and open to the public. | ||
04 / 16
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04 / 17
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04 / 18
Start: 4:00 pm
End: 6:00 pm
A Historical Musicology Colloquium featuring Laura Silverberg (Columbia University) and Ryan Dohoney responding. Start: 7:30 pm
End: 9:30 pm
The Center for Jazz Studies at Columbia University and the Columbia Business School present four leading experts in the field of business in a discussion of the role of improvisation in emerging models of organization and leadership. | ||
04 / 19
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04 / 20
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04 / 21
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04 / 22
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04 / 23
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04 / 24
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04 / 25
Start: 11:00 am
End: 12:00 pm
Dr. Sacks will speak on: "Musicophilia: Music and the Brain." The lecture will take place on Friday, April 25 at 11AM Learn more about Oliver Sacks here. (Photograph by Eileen Barroso for Columbia News.) Start: 4:00 pm
End: 6:00 pm
A Historical Musicology Colloquium featuring Joseph Dubiel (Columbia University). Respondant TBA. All HM Colloquiua are free and open to the public. | ||
04 / 26
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04 / 27
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04 / 28
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04 / 29
Start: 5:00 pm
End: 7:00 pm
The Department of Music presents a colloquium by Josh Pilzer (Mellon Postdoctoral Fellow in Music at Columbia University) entitled: A Survivors' Music Manifesto: On the Singing of Korean Survivors of the Japanese Military 'Comfort Women' The colloquium will take place in 701C Dodge Hall, on Tuesday April 29, at 5PM. It is free and open to the public, and a reception will follow the colloquium.
Please note the 5PM start time is one hour later than many of our previous events. | ||
The Center for the Core Curriculum and the Music Humanities Program present: 
