The Perception of Harmony and Tonality: An Algorithmic Perspective

Author:
Temperly, David

An algorithm is proposed for performing harmonic analysis of tonal music. The algorithm begins with a representation of a piece as pitches and durations; it then generates a representation showing chords and keys. This is a project of psychological interest, since there is much evidence that harmonic analysis is performed by trained and untrained listeners during listening; however, the perspective of the current project is computational rather than psychological, simply examining what has to be done computationally to produce "correct" analyses for pieces. The algorithm has three stages: the tonal-pitch-class stage, the harmonic stage, and the key stage. At each stage, the algorithm uses preference rules to evaluate different possible interpretations; it selects the interpretation that most satisfies the preference rules.

Retrieval Information
Library of Congress Call Number:
MT50 .T46 1996g [iii, 340 leaves]
UMI:
9631788
Dates
Degrees:
PhD, 1996
Commitee Information
Sponsors:
Fred Lerdahl
Committee Members:

Jonathan Kramer

Joseph Dubiel

Douglas Chalmers
(PolSci)

Robert Remez (BC: Psych)